You directed two things for The New Group, and I remember you working on all those plays for Malaparte. You were the artistic director. Do you miss Malaparte? Are you glad you had that experience?
EH: Of course, I'm glad I had that experience. In many ways, what we have going with The New Group now is some kind of rebirth of that community. One of the plays I directed for The New Group, in fact, was Jonathan [Marc Sherman]'s play, Things We Want. Josh and Jonathan were founding members of the Malaparte Theatre Company, along with me and Robert Sean Leonard.
You and Robert were part of the "Dead Poets Society," Class of 1989. Do you have any plans, or hopes, of working together again?
EH: His show [TV's "House"] is about to end, and I said, "Let's get you at The New Group. What do you want to do when the TV thing is over?" So, hopefully, we'll get him. When we did "Dead Poet Society," he was the greatest actor I'd ever met, and he still is. I love that guy. I'd love nothing more than to direct him in a Tom Stoppard play where he could blow everybody away. I know what he is capable of. Did you ever see him in The Invention of Love? That guy deserved the Tony for that. I know he got it, but he deserved it.
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